Chelsea Wolfe

Chelsea Wolfe starts composing in the paternal studio in Sacramento. She recorded two albums (Mistake In Parting and Soundtrack VSH II ) and an EP (Tour 2009 ), which will not be released because she doesn't think she has enough talent. After a hiatus during which she joined a troupe of travelling artists, she enjoyed the performance, and regained the necessary motivation to compose. As a result, his first album was released in 2010, entitled The Grime And The Glow, which makes a lot of talk about his truly singular style, between Pop, Black Metal, experimentation and Rock Gothic. In 2011, she moved to Los Angeles to record her second album, entitled "Pendu Sound", which was released in 2011. His mix of Doom, Darkwave and so many other things was a great success. She then shoots a lot, both in the United States and Europe, allowing her to overcome her panic of the scene. A landmark of these months on the road, an appearance at Roadburn in 2012, immortalized by the release of a live few months later. She signed the same year at Sargent House for the release of her third opus, Unknown Rooms: A Collection Of Acoustic Songs, which, as her name suggests, presents a quieter facet of the artist. In September 2013, Chelsea Wolfe released her fourth album, Pain Is Beauty , on which she turned this time to more electronic regions. Note that a tour with Russian Circles , which invited her to sing on a title of her next album, is scheduled for the end of the year. Note that the artist participates in many projects and multiplies various and varied EPs, including an album in tribute to Rudimentari Peni, entitled Prayer For The Unborn or collaborations with King Dude. In 2015 she confirmed her talent and taste for unparalleled music with the release of the album Abyss . Two years later and always accompanied by Ben Chisholm, Chelsea Wolfe released Hiss Spun, sixth album, recorded at the GodCity studio with the participation of Troy Van Leeuwen (Queens of the Stone Age) on guitar and Aaron Turner (Old Man Gloom ) on song on the title Vex.
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